Layout Animation Reel

A taste of whats to come!

Contributions on Star Wars - Rogue One:

Previsualization of composition, tracking, layout integration, animation and timing of shots.
- Framing of shots and blocking of animation for both full CG and Hybrid shots.
- Set dressing environment and staging for continuity between shots.
- Plate tracking and layout integration into CG environments.
- Camera post moves and animation blocking for Hybrid shots.

Contributions on Teenage Mutant Ninja Turtles - Out of the Shadows:

Previsualization of composition, tracking, character matching, animation and timing of shots.
- Framing of shots and blocking of animation for both full CG and Hybrid shots.
- Set dressing environment and staging.
- Plate tracking and layout integration into CG environments.
- Camera post moves and animation blocking for Hybrid shots.

Contributions on Avengers - Age of Ultron:

Rough layout of composition, animation and timing of shots.
- Framing of the shots and blocking of animation for both full CG and Hybrid shots.
- Recreating previz using local assets ( like working from story boards).
- Plate tracking and layout integration into CG environments and camera post moves for Hybrid shots.
- Character staging, timing and animation for both full CG and Hybrid shots.

Contributions on Green Lantern:

Rough layout of composition, animation and timing of shots.
- Framing the of shots and blocking of animation for both full CG and Hybrid shots.
- Plate tracking and layout integration into CG environments and camera post moves for Hybrid shots.
- Character staging, timing and animation for both full CG and Hybrid shots.
- Environment set dressing.

Final Layout of environments and cameras.
- Final tweaking of sets and cameras before sending over to lighting.

Dialing the stereoscopic depth for shots. Managing stereo assets.
- Creating the 3D feel and look for individual shots. While shots are dialed for 3D individually, they need to be dialed to work within a sequence of shots.
- Evaluating depthlayout assets (plate re-projection, onto geometry to create depth) from artist, both on and off site.

Creating and Evaluating stereoscopic workflows and tools.
- At the start of the stereo side of the production, I was responsible for helping to structure the workflow for the camera end of stereo. Evaluating and recommending the tools needed.

Contact Info:
ellery.ortiz@gmail.com

Check out my Filmography on IMDB:
imdb.com/name/nm1781051/?ref_=fn_al_nm_1

Full Resume and Experience on LinkedIn:
linkedin.com/in/elleryortizvfx