For Artists
For Studios
Concierge
Jobs
Sign In
Sign Up
menu
Harrison Stark
Creature TD
Like
Follow
CFX Reel 2017
Nov 27, 2017
•
0:02-0:16
Paddington
CFX TD
Simmed muscles, skin and fur on Paddington, the string and tag around his hat, and the sack with the rope around it.
0:16-0:18
Life of Pi
Tech Anim TD
Simmed the muscles, skin, and fur on the Tiger
0:18-0:29
Life of Pi
Tech Anim TD
Simmed the muscles, skin, and fur on all the animals, as well as the cloth the Hyena jumps out from behind.
0:29-0:35
Life of Pi
Tech Anim TD
Simmed the muscles ski and fur on the Tiger
0:35-0:45
Fantastic Beasts and Where to Find Them
CFX Lead
Lead a CFX crew of 8 to deliver 70 shots of the Niffler. Deved the muscles and feathers sim rigs, as well as the actual shot work in these specific shots. Including simulations on the glass he interacts with.
0:45-1:00
Ghost in the Shell
CFX TD
Built the sim rigs for the Jellyfish, as well as running them in the shots. Additionally I worked on simming the kelp in the environment, and the digital double.
1:00-1:11
DmC: Devil May Cry
Tech Anim TD
Simmed the trench coat for an ad for the game.
1:11-1:30
Life of Pi
Tech Anim TD
Simmed the muscles, skin, and fur for all the animals
1:30-1:45
Paddington
CFX TD
Simmed Paddington's muscles, skin, fur, coat, and hat. Built the sim rig for the rolled up umbrella.
1:45-1:55
Alvin and the Chipmunks: Chipwrecked
Tech Anim TD
Simmed fur and clothing on all the characters
1:55-2:04
Jupiter Ascending
CFX TD
Simmed clothing, and sis shot finaling for the digital double
2:04-2:12
Alvin and the Chipmunks: Chipwrecked
Tech Anim TD
Simmed fur and clothing on all characters
2:12-2:16
The Legend of Tarzan
CFX TD
Simmed the muscles, skin, and fur on all the apes.
2:16-2:32
Percy Jackson: Sea of Monsters
Tech Anim TD
Simmed muscles, skin, and spines as on the sea monster, as well as the clothing on digital doubles.
2:32-2:44
Fantastic Beasts and Where to Find Them
CFX Lead
Lead a CFX crew of 8 to deliver 70 shots of the Niffler. Deved the muscles and feathers sim rigs, as well as the actual shot work in these specific shots. Including simulations on the glass and jewelry he interacts with.
Comment
Sign in to leave a comment.
More from Julian Davidson
◄
previous
►
next
Comment
Sign in to leave a comment.