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Milton Rodriguez
VFX Supervisor / Sequence Lighter
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Demo Reel 1.5
Jun 15, 2015
•
5 likes
0:05-0:34
Mr. Peabody & Sherman
CG Supervisor in Lighting
● Sequence Lighting Supervision
● High complexity sequence with over 20,000 crowds
0:34-0:54
How to Train Your Dragon 2
Lead Lighter, Compositing
● Shot Lighting
● Heavy FX shots with voxel lighting. Worked with the FX department to reduce
rendering times and make interactive Lighting work a possibility.
● Hero shot
Tools:
Torch, Nuke
0:54-1:41
Mr. Peabody & Sherman
CG Supervisor in Lighting
● Sequence Lighting Supervision
● Multiple locations
● Crowds
1:41-1:51
Megamind
Lead Lighter, Compositor
● Lead work on unique shots on a very tight schedule, helped finish the film on time.
Tools:
LIGHT, Nuke
1:51-2:01
Mr. Peabody & Sherman
CG Supervisor in Lighting
● My team of lighters were delayed finishing “Guardians”. I stepped in and lit this whole
sequence myself. It was a great opportunity to catch up with the latest techniques,
keeping my skills current. And it was a lot of fun.
Tools:
LIGHT, Nuke
2:01-2:21
Madagascar: Escape 2 Africa
CG Supervisor,Shot Lighting
● Sequence Lighting Supervision
● Multiple locations
● Heavy crowd shots. Anticipated issues and optimized all characters in visual development stage.
● Built and supervised all character manes and tails.
● Cleaned up all legacy characters, reducing rendering times by 65%.
Tools:
LIght, Comp(DWA prop. soft)
2:22-2:32
Mr. Peabody & Sherman
CG Supervisor in Lighting
● This is a beautiful sequence that was extremely challenging and costly when we first
bid it. Working with the creative team we were able to simplify it, preserving the
essence of the aesthetic, and reduce the cost.
2:38-2:47
Shrek The Third
CG Supervisor, Seq. Lighter
● Gingy’s flashback sequence gave me an opportunity to keep my skills current and do
what could have been an expensive sequence of one-offs with no re-use, in a short
amount of time.
Tools:
LIght, Comp(DWA prop. soft.)
2:48-2:52
Shrek
Lead Lighter
● This movie was a turning point in my career as I became Fiona’s Master Lighter. I was able to create and optimize her rig that served as a template for the other lighters. I also worked on her dress shaders and painted every stitch of gold embroidery in her bodice.
Tools:
LIght, Comp(DWA prop. soft.)
Comments (3)
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James Bennett
Amazing work Milton.
127 months ago
Milton Rodriguez
Thanks James!
127 months ago
James Bennett
Nice breakdown Milton. Stupendous work.
127 months ago
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