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Toni Pykäläniemi
VFX Supervisor / Environment Artist
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Showreel 2015 minicut
Sep 4, 2016
•
0:07-0:17
Teenage Mutant Ninja Turtles
For this one I built the bg cyclorama dmp using bunch of photos, painted depth hazing that matched to the director's vision of this bird's eye view. I composited all elements together: DMP, turtles, foreground env piece and fx smoke.
0:17-0:27
Biggest challenge of this shot was not only the sheer length of it but making seamless transition from foreground set piece to the background Turtle lair. I received raw 3d renders which I then massaged to blend in with the plate and added atmospherics and lens flares.
0:44-0:46
This one was surprisingly challenging shot to comp as the plate had extremely complex lighting coupled with practical spark explosions. I had to match all these lighting elements in comp and extend the practical spark elements to work with the shot. In addition to that I also comped set extension behind the thick smoke and spark showers.
0:47-0:54
Transformers: Age of Extinction
Compositor | Transformers: Age of Extinction
This was technically challenging stereo comp. Aside from comping the elements into the plate the several layers of stereoscopic occlusions were tricky to set up and fine tune properly.
1:02-1:04
Edge of Tomorrow
Compositing Lead
I set up lookdev for this sequence which was an interesting task to do as we got these shots just at the last minute and I worked directly with client VFX sup to get the look nailed down.
1:04-1:06
Maleficent
This was one off shot which I pretty much got free reins to get it to work. I worked off from couple of plates and a raw cg render. All the torch lights are hand painted on the cg and I did also a lot of general relighting on this one. In addition to the comp work I also hand animated floating prince's hand and sleeve from still image.
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