- Compositing Supervisor on Alice Through the Looking Glass.
- CG Supervisor on Emoji and Pixels.
- Stereo Comp Supervisor on The Amazing Spiderman 2, Smurfs 2, The Amazing Spiderman, and Green Lantern.
- Designed Imageworks’ first native stereo pipeline on The Amazing Spiderman. Multiple patents held (see bottom of this page).
- Supervise workflows and output from departments including Roto, Paint, Matchmove, Modeling, Layout, FX, CFX, Lighting, and Compositing.
- Designed and supervised conversion elements delivery pipeline to cut element creation/delivery costs to one-quarter previous Imageworks shows, virtually eliminating kickbacks.
- As an “on the box” supervisor, I fixed/finaled many shots in order to keep our talent tasked most efficiently.
- Worked closely and directly with client-side creatives and producers to meet their shifting needs and deadlines.
Stereo Compositing Supervisor and Stereographer
Method Studios
September 2010 - January 2011
- Served as Stereographer and Stereo Compositing Supervisor. Shows included Halo Reach trailer, Pirates of the Caribbean 4, and Transformers 3.
Stereo Compositing Supervisor
DreamWorks Animation
June 2010 - September 2010
- Designed and oversaw creation of new Nuke pipeline as well as production communication / shot-tracking pipeline.
- Hired and managed the work of 70+ artists on approx. 2000 shots.
Technical Director, Lighting and Compositing
Sony Pictures Imageworks
June 2007 - February 2010
On Beowulf, G-Force, and Alice in Wonderland. I am listing the entire period -- between shows I was freelancing as a generalist.
Freelance Director/Generalist
Seagoat
November 2007 - December 2009
Studios include Prologue, Motion Theory, and Troika Design Group.
Clients include Disney/Pixar, Time Warner, ESPN, Oxygen Network, MTV.