Ryan Swan

Ryan Swan

VFX Compositing Artist

Junior Digital Compositor / 6 yrs

Los Angeles, CA

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Digital Compositor

Shogun (2024)

Digital Compositor

Bel-Air (2022)

Visual Effects Artist

M.O.D.O.K. (2021)

Digital Compositor

Big Sky (2020)

Digital Compositor

Ted Lasso (2020)

Visual Effects Artist

Crossing Swords (2020)

Digital Compositor

Hunters (2020)

Digital Compositor

Dollface (2019)

Digital Compositor

For All Mankind (2019)

Digital Compositor

S.W.A.T. (2017)

Digital Compositor

Grace and Frankie (2015)

Digital Compositor

Grey's Anatomy (2005)

Visual Effects Artist

Robot Chicken (2001)

digital paint roto artist

NOS4A2 (2019)

Digital Compositor

The Expecting (2020)

Digital Compositor

The Sleepover (2020)

Digital Compositor

The New Mutants (2020)

VFX Artist (Digital Compositor)

Wonderland (2012)

Paint / Roto Artist

Troop Zero (2020)

I/O Coordinator

Child's Play (2019)

I/O Coordinator, Roto & Paint

Midway (2019)

VFX Production Assistant

The Equalizer 2 (2018)

Paint/Roto Artist;VFX Production Assistant

Mile 22 (2018)

Roto Artist;visual Effects Production Assistant

Instant Family (2018)

Staff Comp Artist at Barnstorm VFX on various NDA projects.
Work History
  • Digital Compositor

    Barnstorm VFX

    October 2021 - Present
    Burbank

    Composite Artist for various NDA projects.

  • Digital Compositor

    Ingenuity Studios

    August 2021 - October 2021

    Composite Artist on Grace and Frankie (Netflix); Dollface (Hulu series); Cold Play & BTS music video (My Universe); Billie Eilish x Beat Saber (commercial)

  • Digital Compositor

    Stoopid Buddy Stoodios

    December 2020 - August 2021
    Remote

    Composite Artist on Robot Chicken; Marvel's MODOK; Crossing Swords; Disney "Duffy" commercial

  • Digital Compositor

    Zero VFX

    September 2019 - March 2020
    Venice CA

    I did comp work on Spenser Confidential, The Walking Dead (1 episode), The New Mutants, The Sleepover, and The Expecting (1 episode)

  • IO Coordinator

    Zero VFX

    January 2019 - August 2019
    Venice, California

    Oversaw the downloading and ingesting large batches of shots from Aspera and Media Shuttle into the pipeline using custom ingest tools. This included scanchecks and vfx shot handoffs from other vfx houses spanning a wide array of file formats and resolutions.

    Preparation of large batches of shots for delivery either to the client for review, or to vendors for paint and roto.

    Meticulously maintained file structure accuracy between our LA and Boston offices using Aspera Sync to allow for seamless collaboration while working on projects.

    Transcoded using Adobe Media Encoder; and Egnyte for the delivery of shots to commercial clients.

    Facilitated bicoastal daily review sessions between our LA and Boston teams using RV and Shotgun Studio, and cineSysc sessions for client review.

  • Production Assistant

    Zero VFX

    April 2018 - December 2018
    Venice, California

    Coordinated office layout and purchasing of office equipment to match the fluctuation of artists to projects.

    Procured camera equipment, set gear, and Leica survey equipment for onset teams.

    Ran hard drives containing NDA content to and from client offices.

    Coordinated and secured props from prop houses for the CG team.

    Responsible for maintaining a strict budget for each project.

    In addition to Production Assistant duties, I also did paint and roto work on the following projects:

    Mile 22
    Creed 2
    Instant Family
    Troop Zero

Education
  • BFA in Entertainment Art/Animation

    California State University, Fullerton

    September 2013 - September 2017