Rob Bonstin

Rob Bonstin

VFX, Film & TV Editor

Senior Visual Effects Editor / 22 yrs

San Francisco, CA

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Senior Visual Effects Editor

Mrs. Davis (2023)

Visual Effects Editor

Skyfire (2021)

Visual Effects

Aquaman (2018)

Assistant Visual Effects Editor

Deepwater Horizon (2016)

Assistant Visual Effects Editor

Jurassic World (2015)

Production Support

The Avengers (2012)

Technical Support

Rango (2011)

Media Operations

Evan Almighty (2007)

Production & Technical Support

Mission: Impossible III (2006)

Production & Technical Support

Jarhead (2005)

Visual Effects Editorial And Imaging Services Group

Star Wars: Episode III - Revenge of the Sith (2005)

Visual Effects Editorial And Imaging Services Group

Star Wars: Episode II - Attack of the Clones (2002)

Editorial Technical Supervision

Pearl Harbor (2001)

Production Support

Mission to Mars (2000)

Experienced visual effects, film and episodic television editor
Work History
  • Editor

    Freelance

    September 2019 - Present
    Worldwide

    Editor, motion graphics and visual effects artist and post production for a variety of short form projects. I can create a wide variety of content with video, graphics, animation and audio and sound design.

  • Video Technician

    Magnit

    July 2024 - July 2025
    Sunnyvale, CA
  • Senior Visual Effects Editor

    Assembly.tv

    May 2022 - June 2023
  • Visual Effects Editor

    Method Studios

    May 2021 - May 2022
  • Senior Visual Effects Editor

    Base FX

    May 2018 - July 2019
    Kuala Lumpur, Malaysia

    Star Wars: The Rise of Skywalker, The Mandalorian Season 1, Aquaman, Skyfire

  • associate editor

    Lucasfilm

    June 2017 - April 2018
    San Francisco Bay Area

    Star Wars: Resistance

  • visual effects editor

    Industrial Light & Magic

    October 2014 - May 2017
    San Francisco, CA

    Transformers: The Last Knight, Teenage Mutant Ninja Turtles Out of the Shadows, Deepwater Horizon, Jurassic World

  • VFX Editor

    Atomic Fiction

    June 2016 - October 2016
    Oakland, California

    I served as Visual Effects Editor and I/O &Data; Wrangler for the Visual Effects productions in Oakland and Montreal. Responsibilities included updating the VFX shots as the film edit progressed using the Shotgun production tracking system, RV media playback and Avid Media Composer. I maintained the background plate edit for film sequences for the Visual Effects Supervisor. I also managed the plate deliveries and quality control from the client.

  • Videographer, VFX Artist, Editor

    Freelance

    May 2013 - August 2015

    Currently freelancing as a Videographer, VFX Artist and Editor for a wide variety of clients and projects. As a veteran of post production for feature films and television, I've filled a variety of roles as an editor, VFX artist, Post Production Supervisor and general production and technical support. I recently worked with HBO and Deluxe on the HBO series "Looking"​ as technical support for the editorial and production departments. I've also recently completed some small video editing jobs from home using Premier Pro and Adobe Creative Cloud. I've also recently returned to Lucasfilm and ILM as a projectionist in one of the digital cinema theaters, performing the setup and operation of Christie 4K digital projectors and sourcing from the DVS Pronto.

    Some of my clients include:

    Lucasfilm
    HBO
    Deluxe
    Gail & Rice
    Juniper Networks
    Pen to Pixels
    Lucasey Manufacturing
    JL Builders & Associates
    Studio 880
    Rock Nation

  • Projectionist

    Industrial Light & Magic

    February 2014 - October 2014
    San Francisco Bay Area

    Served as a projectionist in one of the dailies theaters. My responsibilities included setting up the theater for digital dailies and presentations. I was responsible for operating 2K and 4K Christie digital projectors for the various ILM productions screening 2D and 3D material. Operated various teleconferencing systems to connect the San Francisco productions with remote production offices for ILM worldwide. Maintained proper calibration of the projectors and playback systems to ensure the proper color and light settings for any and all types of digital cinema display.

  • Senior Technical Operator

    Industrial Light & Magic

    March 1999 - April 2013

    As Senior Technical Operator in the Media Operations Department of ILM, I worked with the team in the Master Control Room (MCR) which houses the digital video I/O infrastructure for most all the LucasFilm divisions in the SF Bay Area. Our main tasks were video mastering and duplication for ILM, Lucasfilm Animation, LucasArts and LucasFilm. One of our primary functions was the final conform and mastering of the Clone Wars animated series. We were also a large part of the various digital restoration and re-mastering projects of the Star Wars films, as well as other LucasFilm Properties. We of course were also closely involved in all of the ILM feature Visual Effects projects, performing digital transcoding for plate photography and motion capture 'witnesscam', as well as final video shot backups.

    Our primary tools are Sony HDCAM SR VTR's, Autodesk Smoke, DVS Clipster and Mac workstations. Our main tasks are editing and conform, HD loading and transcoding, digital video duplication to various formats such as Blu-Ray and DVD among others.

  • Editor

    Studio 880

    1992 - 2011
    Alameda, CA

    Occasional freelance feature and music video editing for Studio 880

  • Chief Technical Assistant

    Western Images

    February 1994 - March 1999

    Assisted editors, compositors and colorists during post production with clients, as well as trained new Technical Assistants in MCR operations.

Education
  • Radio and Television Broadcasting Technology/Technician

    Chabot College

    1992 - 1992
  • Music

    College of Alameda

    1989 - 1989
  • Drama and Dramatics/Theatre Arts, General

    College of Alameda

    1982 - 1983