To break down the work I did on this shot, I started by gathering all the necessary assets, including live-action footage, CG elements, and reference material. After that, I began the process of compositing by integrating the CG elements into the live-action footage, carefully matching lighting, perspective, and color grading to create a seamless blend. I used various techniques such as rotoscoping and keying to isolate and integrate individual elements. Once the compositing was complete, I moved on to DMP projection, which involved projecting digital matte paintings onto 3D geometry to create realistic backgrounds and environments. Using advanced projection mapping techniques, I ensured that the painted elements matched the perspective and lighting of the live-action footage. Finally, I created a clean plate. This was used to fix any remaining issues with the shot, such as removing unwanted objects or cleaning up any imperfections in the live-action footage. Overall, this shot breakdown was essential in ensuring that all the different elements of the shot came together seamlessly to create a compelling final product.