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Damon Martinez
Finaling Artist
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Showreel 2016 v2.81
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Showreel for Damon Martinez
0:05-0:40
Ant-Man
Stereoscopic Compositor
This group of shots included creating clean plates for the bg, mid and foreground and matching those plates back into the shot through tracking and color correction for light changes and animating any elements needed to match the scene. Final detail done with frame-by-frame stereo paint.
Tools:
Nuke, AfterEffects
0:41-0:44
Jurassic World
Stereoscopic Compositor
Animated bg plate for back wall. Character plate for woman in white as she moves and then stops behind fg elements. Additional frame-by-frame paint to flush out internal depth issues and details in scene
Tools:
Nuke, AfterEffects
0:45-0:52
Jurassic World
Stereoscopic Compositor
Modified and added to clean plates made for scene and tracked them back into scene. Added bulk to fg tree leaves as they lost their place in the shot after conversion to better match pre conversion. Frame-by-frame paint to help ease any of the artifacting with the tree and leaves interacting.
Tools:
Nuke, AfterEffects
0:53-0:58
Jurassic World
Stereoscopic Compositor
Scenes were too busy to make any plates so frame-by-frame paint was done for both shots to clean up any artifacting from the conversion process.
Tools:
AfterEffects
0:59-1:20
Jurassic World
Stereoscopic Compositor
Partial plates were made for the scene but the motion and length made it difficult to finish that way. Me and other team members were assigned to frame-by-frame paint different parts of the scene to clean up artifacting and combine work when completed.
Tools:
Nuke, AfterEffects
1:21-1:26
Avengers: Age of Ultron
Stereoscopic Compositor
Frame-by-frame paint to fix artifacting early in the scene.
Tools:
AfterEffects
1:27-1:48
Avengers: Age of Ultron
Stereoscopic Compositor
This next series of shots included a team effort to complete, mainly for the length of the shots. Camera tracks were used to create plates for our assigned times and areas, mine were the ceiling and back walls at the end of the shot with tony. The plates were all combined and then we were assigned areas to stereo paint (frame-by-frame) to fix remaining artifacting and polishing details.
Tools:
Nuke, AfterEffects
1:49-1:52
Avengers: Age of Ultron
Stereoscopic Compositor
Frame-by-frame paint.
Tools:
AfterEffects
1:53-1:59
Avengers: Age of Ultron
Stereoscopic Compositor
These last few shot required me to make clean plates for back, mid and foreground elements with additional stereo paint to finish details between characters and objects that the plates couldn't cover. The Thor shot needed a plate for him and Captain and then stereo paint to fix the characters running in the background and restore Thors' lost hair. The Ultron shot only needed stereo paint to clean up internal artifacting.
Tools:
Nuke, AfterEffects
2:00-2:05
Kung Fu Panda 3
Finaling Artist
Gaps were somehow left in the render so i recreated the characters as needed to fill the gaps so the characters interacted correctly. Color corrected to match the scene as they moved and turned.
Tools:
Nuke
2:06-2:13
Kung Fu Panda 3
Finaling Artist
Scroll was changed during production so that was updated. There were harsh shadows on gooses' beak so i softened those according to directors notes.
Tools:
Nuke
2:14-2:20
Kung Fu Panda 3
Finaling Artist
The ground wasn't suppose to be broken yet so I used a camera track to plate over the crack and then revealed it as the blade cuts through the rock.
Tools:
Nuke
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