I can wear most of the hats when needed but I am really looking for a nice home to collaborate and create beautiful pixels!
Work History
Senior CG Generalist
Crafty Apes
October 2024 - Present
Vancouver, Canada
Layout/Final Layout/Cam Polish
Cinesite
March 2021 - October 2024
Vancouver, B.C.
Addams Family 2
Environment Generalist
Zoic Studios
November 2020 - March 2021
Superman & Lois
Sweet tooth
Unreal Mega Grant
Visual Effects Artist (layout; generalist)
Available
June 2020 - November 2020
Vancouver, British Columbia, Canada
Layout Technical Director
Double Negative
November 2018 - May 2020
Vancouver, British Columbia, Canada
- Shot assembly, lidar/lineup checks for tracks
- Set dressing, animation blocking
- Single frame lineups, proxy model creation, simple rig creation
- Pre-production cameras (camera moves) to be used for onset virtual production
- Catch-22 (Ep. 1-4) (2019)
- The boys (Ep. 6, 7, and 8) (2019)
- Krypton (Season 2 Episode 4 and 5) (2019)
- Hot Zone (Ep. 5 and 6) (2019)
- Wonder Woman 1984 (2020)
- Altered Carbon (Season2)
- Runaways (Season 3)
- Away (Episodes 1 & 2)
- WestWorld (Season 3)
- Foundation (episode 1)
Key Layout Artist
MPC
August 2018 - November 2018
Vancouver, Canada Area
- Shot assembly, crowd/background character work, animation blocking
- Set dressing for cityscapes and exterior high-desert scenes
- Projection camera setups and full CG camera moves
- Shot Package oversight tasks and 2D card creation/work
- Created full environments by utilizing tracking/MatchMove data along with on-set materials and assets
- Assembled and maintained shots for other departments
- Godzilla: King of Monsters (2019)
- The Christmas Chronicles (2018)
Layout Technical Director
Double Negative
April 2017 - October 2017
Vancouver, British Columbia, Canada
- created CG camera animation using cinematography principles,
shot composition, and character blocking under tight deadlines for
large scale work
- Produced pre-visualization and post-visualization CG cameras
- Pacific Rim (2018)
- The Meg (2018)
- Blade Runner 2049 (2017)
Layout Technical Director
MPC
November 2014 - April 2017
Vancouver, British Columbia, Canada
- Produced pre-visualization, post-visualization, camera and character
blocking to build editorially-sound sequences which subsequent CG
departments used as the foundation for shot construction
- Alpha (2018)
- Justice League (2017)
- The Dark Tower (2017)
- The Mummy (2017)
- 50 Shades Darker (2017)
- XXX: Return of Xander (2017)
- Sully (2016)
- Suicide Squad (2016)
- The Finest Hours (2016)
- Monster Trucks (2017)
I am a 3D animator with a wide range of skills including modeling, texturing, rigging, animating organic and mechanical characters, and dynamics. I have the most experience with Lightwave, Maya, Premiere Pro, After Effects, Photoshop, Nuke, and Katana. I also have had some experience with Blender, Houdini, Cinema 4D, Sculptris, ZBrush, 3DSMax, Mocha, and various related plugins.
Additionally, I have learned to use scripting languages such as Mel, Lscript, HTML/HTML5, JavaScript, Python, and C++.
Surveying Equipment Quote Specialist/Video Production Specialist
Holman's USA LLC
May 2012 - August 2014
Albuquerque, New Mexico, US
As an intern for my first year, I worked in both the warehouse and in the retail store.
In the warehouse I became proficient in disabling the wireless, Bluetooth, and microphones in both PCs and MACs as well as acid/property tagging and replacing existing operating systems with a preimaged versions on said equipment for several national Department of Energy laboratories.
Due to my hardwork and diligence, I was then transitioned from an intern into a full time employee as a retail associate where I not only provided great customer service but began creating the company's promotional and product overview videos.
For the rest of my tenure at Holman's I continued with the promotional videos as well as created various logos and graphics for marketing purposes and to be displayed to customers in the retail store. I then became the Quote Specialist for surveying equipment and I was part of the contract overview commitee for the GSA, New Mexico, Arizona, Texas, and Bernalillo County contracts.
As the Quote Specialist I created comprehensive quotes for federal, state, local, educational, and commercial customers while ensuring that all policies and contract guidelines were in full compliance.