Digital Compositing for various shows including "Picard", "What We Do in the Shadows", and "The Loudest Voice".
Nuke Compositing for Series Television including 911, Criminal Minds, and The Orville among others.
Roto Paint Supervisor and Digital Compositor
Applied technical and artistic fixes for finishing independent feature film.
Keying, tracking, rotoscoping and compositing for feature.
Compositing and matte painting for series television.
Stereography, compositing, color correction, and linear editing for 3D musical graphic sequences to accompany live performances.
Created billboard and web banner ads for agency client.
Beautifying and finishing depth approved stereo frames up to pristine quality.
I lead and train artists to finalize the highest quality converted 3D stereoscopic imagery in the world.
Used compositing and digital paint to finish/beautify scenes converted from 2D to 3D stereoscopic for "Titanic 3D" among other titles.
Compositing, wire removals, paint fixes, for both 2D live action, and stereoscopic films including "Harry Potter and the Deathly Hallows pt. 1 & 2" and "Fright Night 3D".
Trained a crew of 20 on techniques of stereoscopic compositing and painting.
Senior Compositor utilizing Compositing and Paint software for the conversion of 2D to 3D stereoscopic.
Led a team of artists annotating rotoshapes for international roto team. Managed incoming rotoscope projects to be distributed among compositing artists.
Matte Painting and Compositing for the History Channel series' "Life After People" among others.
Created graphics for ID badges, posters, website and videos for USC football games, as well as other sporting events. Ran video board for USC and XFL football games.
Used Combustion and Photoshop to help convert 2D live action to stereoscopic 3D experience.
Creating matte paintings and compositing for the History Channel series', "Life After People" and "The Universe".
Used After Effects, Combustion and Shake to repair artifacts such as x-ray damage, and to remove rigs, wires and other artifacts for feature film.
Compositing scenes for computer generated reenactments in historical documentaries including The Universe, and First Apocalypse running on The History Channel.
Painting out artifacts in Combustion for motion picture, I Love You Man.
Rotoscoping for feature film, Game.
Green screen compositing for music video
Contracted to remove scratches on feature film.
VFX Compositing and painting for feature films including Yes Man, Speed Racer, and Traitor. Matte painting touch up and compositing for television including Pushing Daisies and Life After People
Utilized Shake to composite and perform special visual effects for stereoscopic 3D feature, U2 3-D.
Conversion of 2D film to 3D Stereoscopic. Test projects for a Major Studio in the conversion of their property from 2D to 3D Stereoscopic.
Trained groups of Senior Artists on Special restoration fixes. Increased productivity up to 400% for such work.
Led a team of restoration artists through the successful, and historic restoration of some of the most important movies of our generation, including "Sunset Blvd" and "Raiders of the Lost Ark"
Responsible for the setup of the first all digital audio studio in San Diego County.
Compositing, video and sound editing, and original music for video games and demos.