Leila Nicotera

Leila Nicotera

Senior visual effects producer / 22 yrs

London, United Kingdom

Hire Me

Visual Effects Producer

A Haunting in Venice (2023)

Visual Effects Producer

Strays (2023)

VFX Producer / Visual Effects Producer

Matilda (2022)

Visual Effects Producer

Pinocchio (2020)

Visual Effects Producer

Godmothered (2020)

Visual Effects Producer

Aladdin (2019)

Visual Effects Producer

A Private War (2018)

Visual Effects Producer

The Nutcracker and the Four Realms (2018)

Visual Effects Producer

A Wrinkle in Time (2018)

Visual Effects Producer

Assassin's Creed (2018)

Visual Effects

22 July (2018)

Visual Effects Producer

Star Wars: Episode VIII - The Last Jedi (2017)

Visual Effects Line Producer

A Cure for Wellness (2017)

Visual Effects Producer

Tini: The Movie (2016)

Visual Effects Producer

The Legend of Tarzan (2016)

Producer

The Revenant (2016)

VFX Line Producer

Our Kind of Traitor (2016)

Visual Effects Coordinator

Palio (2015)

VFX Line Producer

Everest (2015)

VFX Coordinator

Paddington (2015)

VFX Coordinator

Jupiter Ascending (2015)

Visual Effects Line Producer

Exodus: Gods and Kings (2014)

Visual Effects Coordinator

The Invisible Woman (2014)

VFX Coordinator

Anna Karenina (2012)

Visual Effects Line Producer

Into the Universe with Stephen Hawking (2010)

Matchmove Artist

Watchmen (2009)

Matchmove Artist

The Chronicles of Narnia: Prince Caspian (2008)

Matchmove Artist

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Matchmove Artist

Fred Claus (2007)

Work History
  • Visual Effects Producer

    Cinesite

    May 2021 - Present
    Montréal
  • Crew Manager

    One Of Us

    November 2020 - April 2021
  • Visual Effects Producer

    One Of Us

    January 2015 - October 2020
    London, United Kingdom
  • Visual Effects Line Producer

    One Of Us

    May 2013 - January 2015
    London
  • Visual Effects Co-ordinator

    Tiger Aspect

    January 2013 - May 2013
    London, United Kingdom

    TV:
    This is Jinsy Series 2 2014


    Coordinating over 1,000 shots for different delivery deadlines across 8 episodes
    Using Hiero to import EDLs, create shots and export nuke scripts for artists
    Working with the Post Production Supervisor and VFX Supervisor to manage resources for the most effective approach to achieve the visual effects work
    Keeping lines of communication open with artists to ensure any technical issues that might impede their process are efficiently resolved
    Taking notes for client and internal reviews and ensuring the relevant notes are addressed for upcoming shot submissions
    Submitting client deliveries
    Keeping track of shot progression and raising any potential red flags
    Daily maintaining database with shot progression, notes and cut information
    Adapting schedule and artists to edit changes
    Ensuring the visual effects team understands the goals and deadlines of shots and sequences

    Software:
    Shotgun
    Hiero

  • Visual Effects Co-ordinator

    One Of Us

    February 2012 - December 2012
    London, United Kingdom

    Film:
    Under the Skin 2013 (dir: Jonathan Glazer)
    The Invisible Woman 2013 (dir: Ralph Fiennes)
    Anna Karenina 2012 (dir: Joe Wright)


    Ensuring that artists understand their schedule of work and relay information back to production & supervision team
    Coordinate the flow of information and elements between artists and departments
    Keep databases up to date with element and shot status
    Co-ordinate dailies and note take
    Ensure the send and receipt of materials to and from the client
    Clear communicator of succinct and accurate information
    Extremely focussed and organised
    Adaptable to changing scenarios and showing initiative

    Software:
    Shotgun

  • Production Manager/Director of Artist and Studio Development

    Nexus Productions

    April 2010 - February 2012
  • VFX Line Producer

    Red Vision

    September 2008 - April 2010

    TV:
    Discovery - Into the Universe with Stephen Hawking

  • Matchmove Artist

    MPC

    May 2007 - April 2008

    Providing production support in the Commercials department and expanding through in-house training to hands-on VFX work in the Film department, tracking cameras and doing rotoanimation

    Software:
    3DEqualizer
    Shake
    Boujou
    Maya

    Film:
    Fred Claus
    Sweeney Todd: The Demon Barber of Fleet Street
    The Chronicles of Narnia: Prince Caspian
    Watchmen

  • Production Billing

    MPC

    October 2003 - May 2007

    Supporting the Commercials Producers, as part of a four person team, through efficient costing of up to forty projects' at a time ranging in budget from £500 to £2m
    Generating ideas for efficient running and management of the Billings Department
    Giving detailed reporting and feedback regarding the progression of each project motivating Producers to hit month, half year and year end targets
    Fielding client concerns regarding billing, credit and invoice queries

    Software:
    CETA
    SAGE

  • Billings Manager

    One (formerly Soho 601)

    February 2002 - September 2003

    Liaising with Producers to cost and keep worksheets up to date with client negotiated quotes
    Collaborating with Credit Control and Accounts Payable regarding client payment
    Carefully maintaining billing files and miscellaneous expense records for future reference
    Giving detailed reporting and feedback regarding the progression of each project motivating Producers to hit month, half year and year end targets

    Software:
    Xytech
    Filemaker Pro

  • Accounts Payable Clerk

    Lindsay Hart Neil & Weigler, LLP

    August 1999 - May 2001
    Portland, Oregon

    Liaising with vendors, Attorneys and Secretaries regarding client costs
    Maintaining correct chart of accounts and client expense application
    Organising fax, phone, copy and miscellaneous expense records for future reference

    Software:
    Visual Pyramid

Education
  • University of Portland

    1995 - 1999