Coordinating over 1,000 shots for different delivery deadlines across 8 episodes
Using Hiero to import EDLs, create shots and export nuke scripts for artists
Working with the Post Production Supervisor and VFX Supervisor to manage resources for the most effective approach to achieve the visual effects work
Keeping lines of communication open with artists to ensure any technical issues that might impede their process are efficiently resolved
Taking notes for client and internal reviews and ensuring the relevant notes are addressed for upcoming shot submissions
Submitting client deliveries
Keeping track of shot progression and raising any potential red flags
Daily maintaining database with shot progression, notes and cut information
Adapting schedule and artists to edit changes
Ensuring the visual effects team understands the goals and deadlines of shots and sequences
Software:
Shotgun
Hiero
Visual Effects Co-ordinator
One Of Us
February 2012 - December 2012
London, United Kingdom
Film:
Under the Skin 2013 (dir: Jonathan Glazer)
The Invisible Woman 2013 (dir: Ralph Fiennes)
Anna Karenina 2012 (dir: Joe Wright)
Ensuring that artists understand their schedule of work and relay information back to production & supervision team
Coordinate the flow of information and elements between artists and departments
Keep databases up to date with element and shot status
Co-ordinate dailies and note take
Ensure the send and receipt of materials to and from the client
Clear communicator of succinct and accurate information
Extremely focussed and organised
Adaptable to changing scenarios and showing initiative
Software:
Shotgun
Production Manager/Director of Artist and Studio Development
Nexus Productions
April 2010 - February 2012
VFX Line Producer
Red Vision
September 2008 - April 2010
TV:
Discovery - Into the Universe with Stephen Hawking
Matchmove Artist
MPC
May 2007 - April 2008
Providing production support in the Commercials department and expanding through in-house training to hands-on VFX work in the Film department, tracking cameras and doing rotoanimation
Software:
3DEqualizer
Shake
Boujou
Maya
Film:
Fred Claus
Sweeney Todd: The Demon Barber of Fleet Street
The Chronicles of Narnia: Prince Caspian
Watchmen
Production Billing
MPC
October 2003 - May 2007
Supporting the Commercials Producers, as part of a four person team, through efficient costing of up to forty projects' at a time ranging in budget from £500 to £2m
Generating ideas for efficient running and management of the Billings Department
Giving detailed reporting and feedback regarding the progression of each project motivating Producers to hit month, half year and year end targets
Fielding client concerns regarding billing, credit and invoice queries
Software:
CETA
SAGE
Billings Manager
One (formerly Soho 601)
February 2002 - September 2003
Liaising with Producers to cost and keep worksheets up to date with client negotiated quotes
Collaborating with Credit Control and Accounts Payable regarding client payment
Carefully maintaining billing files and miscellaneous expense records for future reference
Giving detailed reporting and feedback regarding the progression of each project motivating Producers to hit month, half year and year end targets
Software:
Xytech
Filemaker Pro
Accounts Payable Clerk
Lindsay Hart Neil & Weigler, LLP
August 1999 - May 2001
Portland, Oregon
Liaising with vendors, Attorneys and Secretaries regarding client costs
Maintaining correct chart of accounts and client expense application
Organising fax, phone, copy and miscellaneous expense records for future reference