Led the lighting team on First Man that won the 2019 Academy Award for Visual Effects.
The Meg, First Man, Venom
Senior Lighting Technical Director
Double Negative
November 2016 - April 2017
Vancouver, Canada Area
Developed lighting looks for large assets through shot completion in Clarisse.
Fate of the Furious, Pacific Rim: Uprising
Visual Effects Supervisor
Freelance
2012 - September 2016
Rio de Janeiro, Brazil
Digital visual effects supervision for Brazilian independent film including modeling, texturing, lighting, fx and compositing. On-location vfx supervision.
Films include:
A Última Estação
O Escaravelho do Diabo
Z.A.N.
Protodeus
Senior Lighting Technical Director
Industrial Light & Magic
April 2014 - July 2014
San Francisco, California, United States
Lighting with Katana and Renderman on Transformers: Age of Extinction and Teenage Mutant Ninja Turtles
Owner
Day Dream Informatica, LTDA
2008 - 2012
Rio de Janeiro, Brazil
Executive duties developing a profitable social networking and gaming company in Brazil.
Experience developing assets for Unreal Engine.
Digital Supervisor
Industrial Light & Magic
October 1995 - January 2008
Led large teams of top artists on major digital visual effects feature films, involving all aspects of 2D and 3D production, including layout, modeling, texturing, shader development, look development, lighting, rendering, compositing and particle effects simulation and rendering.
As a first-time CG supervisor on Star Wars: Episode II, delivered over 300 shots 10 days before deadline, within 10 percent of bid, working for John Knoll and George Lucas.
Films include:
Twister
Mars Attacks
Men In Black
Galaxy Quest
Wild Wild West
Deep Impact
The Perfect Storm
Harry Potter and the Sorcerer’s Stone
Sky Captain and the World of Tomorrow
THX 1138 (2004)
Van Helsing
War of the Worlds
The Island
Pirates of the Caribbean: At World’s End
Herbie Fully Loaded
Poseidon
Star Wars: Episodes II III IV
Digital Supervisor
Xaos, Inc
February 1991 - October 1995
Led teams in developing digital visual effects for feature film, television and commercials including animation, modeling, texturing, lighting, fx and compositing and software.
Emphasis on innovative particle systems and image processing.
The Lawnmower Man
The Pagemaster
Liquid Television
Syfy Channel
Michelin Baby
