Tony Como

Work History

• 

  Artist Manager

  Ghost VFX

  March 2022 - November 2022

  Miami, Florida, United States

  Managed resource allocation for artists across North America, collaborating closely with business and production teams to accurately forecast project requirements and optimize resource distribution
  Led strategic initiatives to enhance the utilization of artist talents on diverse projects, aligning short-term and long-term goals with organizational objectives
  
  Conducted artist interviews and performance evaluations, designing tailored career paths to foster professional growth and development opportunities
  
  Implemented a structured approach to performance management, ensuring artists received constructive feedback and clear direction for career advancement
  
  Developed and implemented strategic plans to maximize artist engagement and effectiveness across projects, ensuring alignment with company vision and goals
  
  Coordinated effectively with cross-functional teams to ensure seamless operations and efficient use of artistic resources, maintaining high productivity and artist satisfaction
• 

  Head of Digital Prep

  Pixomondo

  November 2022 - Present

  Miami, Florida, United States · Remote

  Supervised Matchmove, Digital Paint, and Roto teams across North America, driving exceptional quality and efficiency in workflow processes. Enhanced project packaging and versioning systems to improve vendor collaboration and ensure smooth production transitions.
  
  Spearheaded a crucial 18-month initiative to overhaul outdated pipelines and toolsets, streamlining processes, integrating new technologies, and adopting global best practices, which significantly improved operational efficiency and project delivery.
  
  Successfully implemented rigorous global standards, achieving a 25% reduction in version kickbacks and significantly enhancing inter-department collaboration. This strategic improvement not only bolstered the department's reputation for excellence and reliability but also expedited project workflows, consistently keeping projects on schedule or ahead of deadlines by facilitating faster deliverables to downstream departments.
  
  Championed the development and refinement of workflows, toolsets, and processes, optimizing internal efficiency and achieving exceptional results in digital production.
  
  Managed resource allocation for artists across North America, closely collaborating with business and production teams to forecast project requirements and optimize resource distribution.
  
  Led strategic initiatives to maximize the utilization of artist talents across diverse projects, aligning with both short-term and long-term organizational objectives.
  
  Developed and implemented strategies to enhance artist engagement and effectiveness, coordinating effectively with cross-functional teams to maintain high productivity and satisfaction.
• 

  Head of Digital Paint & Roto

  Method Studios

  September 2017 - January 2019

  Montreal, Canada Area

  Spearheaded the establishment and leadership of the company's top-tier Digital Roto and Paint Department for renowned films and TV series
  Implemented cutting-edge industry best practices and standards to enhance quality and efficiency within the department
  
  Innovated workflows and pipelines to optimize production processes, enhancing overall project efficiency
  
  Expanded and managed a global vendor network to support project execution and meet client demands proficiently
  
  Collaborated seamlessly with cross-functional departments to ensure timely project delivery and high-quality work
  
  Drove revenue growth through adept client relationship management and acquisition of new project opportunities
  
  Enhanced team skills and growth through effective leadership and development initiatives
• 

  Head of Digital Prep

  Method Studios

  January 2019 - December 2020

  Led creative and resource management for 2D and 3D department teams, significantly contributing to all projects for Digital Paint and Roto (DPR), Tracking, and Department Production
  
  Supervised and managed high-profile visual effects projects, ensuring alignment with client specifications and project goals
  
  Collaborated with global studios in Canada, the U.S., Australia, and India to develop department initiatives, provide strategic direction, and establish consistent global standards and guidelines
  
  Partnered with production management to meet budget targets, optimizing resource allocation and financial efficiency for both departments
  
  Designed and implemented optimized workflows for leads and artists, significantly enhancing job efficiency and reducing production times
  
  Actively promoted company culture, visual effects insights, and career opportunities, presenting at industry events like Effects Montreal to engage and inspire high school students and graduates.
• 

  Global Head of Digital Prep

  Method Studios

  December 2020 - March 2022

  Montreal, Quebec, Canada

  Led the Digital Paint and Roto (DPR) department across studios in Canada, the US, Australia, and India, ensuring alignment with global initiatives and raising artistic and technical standards.
  
  Orchestrated operations for the Global DPR department, implementing consistent global practices and devising creative and resource strategies for high-profile productions.
  
  Spearheaded the development and optimization of departmental pipelines and toolsets in collaboration with the development team, significantly improving efficiency and artistic skills.
  
  Established global best practices and enhanced toolsets, resulting in increased departmental efficiency and output.
  
  Improved quality standards, leading to a 25% decrease in version kickbacks and expedited shot completion, facilitating smooth transitions to subsequent projects.
  
  Provided creative direction for major film and episodic productions, overseeing client-centric beauty projects and ensuring excellence in execution.
  
  Collaborated with resourcing leaders and producers to strategically staff projects and adapt to evolving production demands, maintaining operational efficiency.
  
  Implemented growth and development opportunities to maintain high team retention rates, fostering a supportive and progressive work environment.
  
  Conducted comprehensive performance evaluations and career development programs, nurturing team growth and professional advancement.
  
  Represented the company at prominent industry events such as Effects Montreal, sharing insights, company culture, and career guidance to enhance the company's industry presence and influence.
• 

  Base FX

  ? - Present

  
• 

  Head of Digital Paint and Roto

  Method Studios

  August 2018 - January 2019

  Montréal, Canada

  

  

  

  

  

  

  

  

  

  

  
• 

  Digital Paint and Roto Supervisor

  Atomic Fiction

  August 2018 - December 2018

  Montréal, Canada

  

  

  

  

  

  
• 

  Digital Paint and Roto Supervisor

  Base FX

  October 2015 - September 2017

  Beijing City, China

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  

  
• 

  Senior Digital Paint Artist

  Industrial Light & Magic

  May 2014 - October 2015
• 

  Digital Artist

  Industrial Light & Magic

  April 2014 - June 2014

  Credits:
  Transformers 4: Age of Extinction

  

  
• 

  Digital Paint Artist

  Wētā FX

  June 2013 - April 2014

  Credits:
  
  The Hobbit: The Desolation of Smaug
  Dawn of Planet of the Apes
  
  Senior Paint Artist

  

  
• 

  Compositor

  Newbreed Visual Effects

  April 2013 - May 2013

  Credits:
  
  Horns
  Site 146
• 

  Compositor and Stereoscopic Compositing TD

  Blue Sky Studios

  November 2012 - April 2013

  Credits:
  
  Epic

  
• 

  Paint and Rotoscope Artist

  Framestore

  October 2012 - November 2012

  Credits:
  
  The Secret Life of Walter Mitty
• 

  Stereoscopic Compositor/Layout Artist

  Digital Domain

  January 2012 - September 2012

  Credits:
  
  Mets: Heads Up Display (2012)
  Layout Artist/Stereoscopic Compositor
  
  Mets:The Ball Unleashed (2012)
  Layout Artist
• 

  Digital Artist

  Digital Domain

  February 2011 - December 2011

  Credits:
  Smurfs (2011)
  Stereoscopic Compositor (uncredited)
  
  Transformers: Dark of the Moon (2011)
  Stereoscopic Compositor (uncredited)

  
• 

  Creative

  Apple Retail

  November 2010 - January 2011

  I was a trainer to our OnetoOne customers. Showing them everything from the basics to Final Cut Pro.

• Motion Artist

  Capsule Media

  April 2010 - November 2010

  Created and completed motion graphics, compositing, editing, and final audio mixes for a variety of commercial clients.
  
  Credits:
  My First Time
  Digital Effects
  
  Discovery Saved My Life: Last Chance to Survive
  Compositor (uncredited)
• 

  Specialist

  Apple Retail

  2009 - May 2010

  I was a Specialist.
• 

  Motion Designer

  Spine3d

  May 2006 - February 2010

  I finalized editing, color correcting, motion graphics, compositing, matchmoving, and rotoscoping on a variety of high-end architectural animations.
• 

  Freelance Artist

  Zimmerman Advertising

  November 2009 - November 2009

  Created motion graphic spot and rotoscoped footage for car commercial.

• Intern

  Studio of Digital Art

  January 2006 - May 2006

  As an intern, I completed video editing tasks as well as creating the company demo reel.