Chris Ingersoll

Chris Ingersoll

Senior Digital Compositor / 19 yrs

Los Angeles, CA

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Lead in house compositor

Atlas (2024)

Digital Compositor

Jungle Cruise (2021)

Visual Effects In-House Compositor

Red Notice (2021)

Digital Compositor

Next (2020)

Inferno Artist

Click (2019)

Digital Compositor

The Predator (2018)

VFX Compositor

Death Note (2017)

Digital Compositor

La La Land (2016)

Digital Compositor

Doctor Strange (2016)

Digital Compositor / Compositor

San Andreas (2015)

Digital Compositor

Furious 7 (2015)

Executive Producer

Michael Archangel (2014)

Flame / Inferno Compositor

Movie 43 (2013)

Digital Compositor

Prometheus (2012)

Digital Compositor

The Avengers (2012)

Visual Effects

J. Edgar (2011)

Digital Compositor

Green Lantern (2011)

Inferno Artist

Case 39 (2010)

Inferno/Flame Compositor

Orphan (2009)

Inferno Artist

Management (2009)

Inferno Artist

Star Trek (2009)

Flame Artist

Obsessed (2009)

Flame Artist

Twilight (2008)

Inferno / Flame Compositor

Aliens vs. Predator: Requiem (2007)

Flame Artist

Vacancy (2007)

Inferno/Flame Artist

Shooter (2007)

Digital Effects Artist

300 (2007)

Inferno Artist

Babel (2006)

Digital Compositor

Poseidon (2006)

Digital Compositor

Squid

Leading compositing teams since 2017’s Death Note, I have feature production VFX experience since 2005 with broadcast and feature editing experience in both narrative and documentary since 2003. If only Zerply had a job category for “post production strong man in a sensible shirt.”

I'm a fast paced Nuke/Flame artist with a winning attitude. I enjoy meeting new challenges, learning new software & techniques, and finishing hot projects with great folks.

Check out my VFX reel, breakdown, and resume: www.whatpictures.com

My feature screenplay Bayou City Gentlemen’s Club was a quarter finalist in Final Draft’s Big Break Contest 2022 and the 2023 ScreenCraft Screenwriting Fellowship.

I directed, shot, and edited the definitive feature documentary about competitive improvised comedy called The Laughing Matter. It also may be the only feature documentary about competitive improvised comedy? Released by Film Buff March 2014.
Work History
  • Nuke Compositor

    Fotokem Film & Video

    October 2024 - November 2024
  • Compositor

    Scholar

    September 2024 - October 2024
    Los Angeles, CA
  • Digital Compositor

    Magnit at Apple

    July 2024 - September 2024
  • in house VFX lead

    Netflix

    December 2022 - April 2024
  • Digital Compositor

    in house vfx

    May 2022 - August 2022
    Los Angeles, CA
  • OnyxVFX

    October 2021 - January 2022
    Los Angeles, CA
  • Digital Compositor

    Netflix

    January 2021 - October 2021
  • in house compositor

    FOX Television

    November 2019 - May 2020
    Los Angeles, California, United States

    In house VFX lead

  • Walt Disney Pictures

    October 2018 - November 2019
  • In house compositor The Predator

    feature film

    July 2017 - September 2018
  • VFX Compositor

    Netflix

    December 2016 - July 2017
  • digital compositor

    Industrial Light & Magic

    August 2016 - November 2016
  • feature film

    May 2016 - July 2016
  • digital compositor

    Industrial Light & Magic

    February 2016 - May 2016
    San Francisco Bay Area
  • Nuke Compositor

    ScanlineVFX

    January 2015 - November 2015
  • Nuke Compositor

    Sony Pictures Imageworks

    May 2014 - June 2014
  • Compositor

    Comen VFX

    April 2014 - May 2014
    Santa Monica
  • Compositor

    Wētā FX

    July 2012 - March 2014
    Miramar, Wellington NZ

    Nuke compositor on Hobbit, The Wolverine, and Hobbit 2.

  • Compositor

    Lola Visual Effects

    May 2011 - June 2012
  • Nuke Compositor

    Sony Pictures Imageworks

    February 2011 - April 2011

    Nuke Compositor on Green Lantern

  • Freelance Flame Compositor

    Lola Visual Effects

    February 2010 - March 2011

    Advanced compositing on Flame for a variety of high profile feature projects.

  • Wire removal

    Boundary Visual Effects

    January 2010 - February 2010

    Using Nuke 6.0, I did wire removal on seven 4k plates on the feature project Little Sister.

  • Camera, Edit, & Graphics

    Labour Party Films

    October 2009 - February 2010

    My work spanned the entire post process from on set ingesting to final delivery and included 3d graphics animation and rendering. Often, I was also doing camera and sound work with the HVX200 in a variety of production scenarios.

  • Compositor

    Lola Visual Effects

    October 2005 - June 2009

    Flame/Flint compositor and company editor

  • Final Cut Pro Editor & Writer - Hollywood On Set

    ZAP Entertainment

    September 2003 - August 2005
Education
  • Loyola Marymount University

    2000 - 2003
  • University of Colorado Boulder

    1996 - 2000
  • Kingwood High

    1992 - 1996