Robyn Crane-Campbell

Work History

• 

  Senior Compositor

  Wētā FX

  April 2012 - December 2015

  

  

  

  

  
• 

  Senior Compositor

  Sony Pictures Imageworks

  November 2011 - April 2012

  
• 

  Compositor

  Method Studios

  September 2011 - October 2011

  
• 

  Nuke Compositor

  Digital Domain

  August 2010 - April 2011

  Nuke Compositor on Tron Legacy, Real Steel, X-Men First Class

  

  

  
• 

  Staff Compositor

  Digital Domain

  January 2001 - June 2003

  Composited live action, stage, and CG elements using Digital Domains proprietary software Nuke for the feature films Vanilla Sky, We Were Soldiers, Star Trek Nemisis, Secondhand Lions, Looney Toons Back In Action

• Compositor / Paint

  The Secret Lab

  April 2000 - January 2001

  Removed spots from Dalmatians using tracking and painting techniques in Discreet Logics Paint and EFX.
• 

  Compositor

  Digital Domain

  January 2000 - April 2000

  Composited live action, stage and CG elements using Digital Domains proprietary software Nuke for the feature film Red Planet
• 

  Compositor

  Industrial Light & Magic

  October 1999 - January 2000

  Composited live action, stage, and CG elements together using ILM’s proprietary software Comptime for the feature film Mission to Mars.
• 

  Compositor/Lighter

  Walt Disney Animation Studios

  September 1997 - October 1999

  Composited and designed lighting for 3d animated characters. Also generated effects animation elements using Maya, all of which were integrated into heavily manipulated live action backgrounds using Illusion on the feature film Dinosaur.

  

• Compositor

  Spin Cycle

  October 1996 - June 1997

  Promotional Video for Universal’s Islands of Adventure and Warner Brothers show Bumpers.
  Rotoscoped, chroma keyed, created effects, and composited live action using After Effects. Digitized and broke down dialogue for 3d character models.
• 

  Compositor

  Warner Bros. Animation

  June 1995 - October 1996

  Worked closely with effects supervisor creating additional effects levels and mattes to augment traditional animation with live action plates. Animated ground shadows, tones, articulated mattes, and spotlight vector guides for final composite for the feature Space Jam

• Compositor

  Rainbow Animation Group

  May 1994 - June 1995

  Supervised crew of 20 people for several thirty-minute animated episodes. Organized and distributed shots and re-takes. Trained new employees and gave demonstrations to prospective clients.
  Quack Attack and Hyperion’s Hyperman
Composited traditional animation for Disney TV animation and Hyperion.
• 

  Sony Pictures Imageworks

  ? - Present
• 

  Sony Pictures Imageworks

  ? - Present