Comp Supervisor / Compositor and T.D. on several feature films and cable TV series. Working with a very experienced team of artists, producers and matte painters to primarily create "invisible effects" for projects.
Compositor on "The X-Files: I Want to Believe." Completed 35 shots on the release cut of the feature film and was asked to continue on to work on additional shots for the director's cut that will be released on DVD. I completed eight additional shots for the extended version. I worked closely with the 3D artists and the supervisor (Mat Beck) on a variety of shots mostly involving adjusting weather (adding snow, removing snow) and clean up work (painting out footprints, monitor replacement, etc.)
Producing numerous effects for an ongoing martial-arts themed children's show. Effects include dramatic transforms into and out of costume, characters passing into and out of solid materials, and stylized energy glows.
Intense two week job as a freelance compositor on a Martin Scorsese directed short. Composited shots and created stitched photographic backgrounds for a Hitchcock themed seven minute murder mystery.
Composited a moving shot back from the stage through the audience of Carnegie Hall. This combined an orchestra shot on green screen, a 3D environment and may 3D cards for audience members. Also, replaced and matched backgrounds on two additional shots.