Bruno Amezcua
Previsualization Supervisor/ Film and Arts Industry
Previs Artist, 2nd Unit Director Camera / 17 yrs · Lighting and Compositing / 13 yrs
Toronto, Canada
About
Bruno Amezcua's journey into film and visual arts was almost destined, influenced by his grandfather, a renowned film editor active from the 1950s to the 1970s. This early mentorship introduced him to the intricacies of film production and the broader spectrum of fine arts, sparking a lifelong passion for storytelling. Over the past 15 years, he has pursued impressive projects, reflecting his deep commitment to the arts.
Today, Bruno is recognized for his contributions to several significant projects, including "Guardians of the Galaxy Volume 3" (2023), Harry Potter and the Deathly Hallows (2010), "Next Gen" (2018), and "Maya and the Three" (2021). As a Hispanic-Canadian animator and camera unit director, he excels in CG camera work, photography, staging, storyboarding, classic illustration, and artistic drawing, contributing significantly to film and television narratives.
His work involves meticulously developing previsualization and visual story techniques that help filmmakers weave captivating and dynamic narratives. He takes great pleasure in the collaborative process, helping bring creative visions to life and engaging in personal artistic endeavors, drawing inspiration from his childhood hobbies of drawing and storytelling.
Bruno's academic background is equally impressive. He earned a Bachelor of Fine Arts from the Universidad Autónoma Metropolitana in Mexico City, further honing his skills in life drawing at the Museo Gregorio Prieto in Ciudad Real, Spain. This museum noted for its expansive collection, including works by artists like Picasso, provided him with a profound base in classical arts. He continued his education in Ontario, Canada, at Centennial College of Fine Arts and Technology, graduating with honors in 2008. His academic excellence was recognized with a scholarship for outstanding international students and the highest academic score in his faculty.
His rich educational experiences and early influences have shaped him into a consummate visual arts and storytelling professional. His career has seen him collaborate with prestigious studios and directors across brands such as Blue Sky, Disney, Marvel, Netflix, and Amazon, enhancing his reputation in the industry.
Bruno's list of professional acknowledgments includes three awards from the 2017 Daytime Emmy Awards for his roles in animation and composition in "Lost in OZ: Extended Adventure." He has also served in key positions, such as Second Unit Director of Camera/Previsualization on Netflix's "Next Gen" and as Layout Supervisor at Tangent Animation. His work has spanned various roles at renowned studios, contributing to "Disney Planes – Air Spectacular" and "Ice Age: The Great Egg-Scapade."
Bruno continues to advance his career as a Senior Previs Artist at The Third Floor studio in Los Angeles and as a Previs Supervisor at a video game startup in Toronto. Outside of his professional pursuits, he is dedicated to developing his intellectual properties, crafting screenplays, and designing characters through storyboarding and cinematic editing.
His artistic endeavors, Bruno Amezcua, is committed to giving back to the community. He has supported Autism Canada and the Friends In Toronto Community Service, contributing funds and personal efforts. He also participated in creating comic book-style art for a campaign aimed at curbing gang violence in Toronto, demonstrating his dedication to societal improvement through art. His career is a testament to his talent and commitment to his craft and community.
