Bill Gilman

Bill Gilman

Senior Digital Compositor / 31 yrs

Los Angeles, CA

Hire Me

In-House Compositor

Road House (2024)

In-House Compositor

Distant (2024)

Digital Compositor

Ghosted (2023)

Documentary / Compositor

Welcome to Chechnya (2020)

In-House Compositor

Bad Boys for Life (2020)

In-House Compositor

It: Chapter Two (2019)

Digital Compositor

RocketMan (2019)

In-House Compositor

Velvet Buzzsaw (2019)

In-House Compositor

A Wrinkle in Time (2018)

In-House Compositor

Blade Runner 2049 (2017)

Visual Effects Artist

Heaven Sent (2016)

Compositor

Joy (2015)

Digital Compositor

Wish I Was Here (2014)

Digital Compositor

American Hustle (2013)

Senior Compositor

Oblivion (2013)

Senior Comp Artist

Prometheus (2012)

Senior Comp Artist

Argo (2012)

Visual Effects Supervisor

Darling Companion (2012)

Visual Effects Supervisor

The Rum Diary (2011)

Senior Comp Artist

Super 8 (2011)

Digital Artist

Star Trek (2009)

Senior Compositor

King Kong (2005)

Lead Compositor

Flightplan (2005)

Titles / Visual Effects Supervisor

Broadcast 23 (2005)

Visual Effects Supervisor

Kamea (2004)

Digital Compositor

Spider-Man 2 (2004)

Post-Production Supervisor

Oedipus (2004)

Visual Effects Supervisor

Proposition 13 (2003)

Compositing Sequence Lead

Hulk (2003)

Compositing Sequence Lead

AI: Artificial Intelligence (2001)

Digital Compositor

Work in Progress (2000)

Digital Compositor

The Perfect Storm (2000)

Digital Compositor (Cinesite Hollywood)

Hard Rain (1998)

Digital Compositor (Cinesite Hollywood)

Gattaca (1997)

Digital Compositor (Cinesite Hollywood)

Jerry Maguire (1996)

Digital Compositor

Space Jam (1996)

Digital Camera Matchmover

Waterworld (1995)

Digital Effects

Mister Handsome

Work History
  • In-House VFX Artist & Editor

    Various

    January 2008 - Present
  • VFX Supervisor & Artist

    Gamblers Ruin

    August 1997 - Present

    Gamblers Ruin is a creative production company founded by Bill Gilman and Paul Schmitt specializing in high end feature visual effects.

  • Senior Compositor

    American Hustle

    July 2013 - September 2013
    Santa Monica, CA

    Part of in-house VFX team delivering 490 finals from 4K DPX and 300 temp shots from Avid QTs.

  • Senior Compositor

    Digital Domain

    September 2012 - March 2013
    Venice, CA

    Comped on "Oblivion" for Eric Barba & Co. Quite the ride, top to bottom.

  • Senior Comp Artist

    Prologue Films

    November 2011 - June 2012
    Venice, CA

    Fast paced quick turnaround creative design work, including "Mission Impossible: Ghost Protocol," "Prometheus," "Argo" and "Bullet to the Head."

  • Lead Digital Artist on "Super 8"

    Bad Robot

    April 2011 - May 2011
    Santa Monica, CA

    Helped in the final push to deliver VFX for in-house production VFX team on "Super 8." Amazing setup and brilliant people.

  • Visual Effects Supervisor & Producer

    Darling Companion

    October 2010 - March 2011

    Visual effects for Lawrence Kasdan's "Darling Companion," starring Kevin Kline, Diane Keaton, Richard Jenkins, Dianne Weist, Elizabeth Moss & Mark Duplass

  • Visual Creative Director

    Bentlight Digital

    June 2007 - April 2010

    Worked with the Fanton Brothers on various projects over the years, the latest being "The Rum Diary"

  • Visual Effects Supervisor

    The Rum Diary

    April 2009 - March 2010

    Great new movie based on the Hunter S. Thompson book, starring Johnny Depp and Aaron Eckhart, screenplay and directed by Bruce Robinson, produced by Graham King and Depp. Shot entirely on location in Puerto Rico

  • Senior Lead Compositor

    CIS Hollywood

    February 2009 - March 2009

    Worked on "Men Who Stare at Goats." Always love to be back at CIS.

  • Lead Compositor

    Industrial Light & Magic

    July 2008 - October 2008

    Project gig on a top secret JJ Abrams movie (rhymes with Schmar Schmeck)

  • Lead Compositor

    CIS Hollywood

    June 2003 - March 2007

    Project work on "Matrix: Reloaded," "Flightplan," "Scary Movie 3," "Team America," "Fast & The Furious 3: Tokyo Drift," "The Break Up," "The Good German," "Evan Almighty" & "Oceans 13."

  • Senior Compositor

    Wētā FX

    September 2005 - November 2005

    "King Kong"

  • Compositing Sequence Lead

    Industrial Light & Magic

    1999 - 2003

    "Hulk," "The Perfect Storm," "Star Wars Episode 2: Attack of the Clones," "A.I. Artificial Intelligence," "Men in Black 2," "E.T. The Extra Terrestrial 20 Year Anniversary," "Work in Progress"

  • Music Video Director

    Medeski Martin & Wood

    2001 - 2002

    "Uninvisible"

  • Compositor

    Rhythm & Hues Studios

    1997 - 1998

    Wonderful experience working on "Babe: Pig in the City," on the late great Avid Illusion comp package

  • Compositor

    Cinesite

    1994 - 1997

    What can I say other than it was the most fun place to learn to comp I've been so far, especially the night shift. 8 proc Onyx Cineon workstations! 2D centric with some 3D champs (which developed far more after I left), had a real sense of respect for the history of VFX and a hopeful investment in it's future

  • Brilliant Slave

    Brilliant Media

    1993 - 1994
Education
  • Cornell University

    1989 - 1993