Rogerio Alves

Senior Lighting TD / 20 yrs

London UK

Hire Me

3d lighting td

Pacific Rim: Uprising (2018)

Lighting TD

Thor: Ragnarok (2017)

Lighting TD

Justice League (2017)

Generalist TD

LIFE (2017)

Work History

Visual Effects Supervisor

Electric Breeze London

April 2019 - Present

London, United Kingdom
Lighting TD

Electric Breeze

February 2020 - May 2020

London, United Kingdom
lighting supervisor

Axis VFX

October 2018 - May 2019

Bristol, United Kingdom
CG Supervisor

Axis VFX

July 2018 - March 2019

Bristol, United Kingdom
Creature TD

Double Negative

December 2017 - July 2018

London, United Kingdom

Cloth simulation in Maya and Houdini, Hair, muscles and skin, shotsculpt.
+Avengers Infinity War (2018)
+Mission Impossible FallOut(2018)
+AntMan and the Wasp
+Venom
Lighting TD

Double Negative

February 2017 - December 2017

London, United Kingdom
VFX Artist

GraphStudio

July 2016 - January 2017

Campinas Area, Brazil
Founder

GRAPH criação visual

February 2013 - January 2017

Campinas- São Paulo

Visual effects and animation for TV
VFX Coordinator

Atomo VFX

July 2015 - January 2016

São Paulo Area, Brazil
VFX

Freelance

November 2012 - March 2013

Sao Paulo - Brasil
Production/VFX Director

ATOMO vfx Sao Paulo

May 2011 - November 2012
VFX Lead Artist

The Visual Effects Company

April 2010 - April 2011

London, United Kingdom

From animation, modelling, texturing and rendering to compositing, a bit of everything.
Senior 3D Artist

Smoke and Mirrors

January 2010 - December 2010

Technical Director for particles and cloth simulation I also was lead lighting artist. If it seems impossible send it over to Rogerio! (I used to hear that all the time)
VFX Supervisor

Kazoo Creative

October 2009 - March 2010

VFX Supervisor for documentaries, tv commercials and idents.
Responsible for all the workflow, pipeline set up and vfx staff recruitment
VFX Director

422 South

2005 - 2009

Bristol, United Kingdom

General consulting for vfx, client liason, on set supervision.
VFX Supervisor

422 South

2005 - 2009

Responsible for all the VFX department, all the material produced at 422 had to have my approval.
We started small and set up a big render farm for a highly qualified team of artists to quickly become one of the biggest VFX companies in the Southwest.