Rob Bredow

Rob Bredow

Supervisor VFX Artist

San Francisco, CA, United States

Hire Me

Executive Staff

Wicked (2024)

Executive Staff

Twisters (2024)

Executive Staff

Blue Beetle (2023)

Creative Technology Producer

Willow (2022)

Chief Creative Officer / Creative Innovation Producer

Obi-Wan Kenobi (2022)

Executive Staff

ABBA Voyage (2022)

Executive Staff

Aladdin (2019)

Visual Effects

Aquaman (2018)

Visual Effects Supervisor

Solo: A Star Wars Story (2018)

Director Of Research & Development

Godzilla (2014)

Chief Technical Officer

The Smurfs 2 (2013)

Chief Technical Officer

Hotel Transylvania (2012)

Chief Technical Officer

Arthur Christmas (2011)

Chief Technical Officer

The Smurfs (2011)

Chief Technology Officer

Green Lantern (2011)

Visual Effects Supervisor

Surf's Up (2007)

Digital Effects Supervisor

The Polar Express (2004)

Visual Effects Supervisor

Megiddo: The Omega Code 2 (2001)

Water Development

Cast Away (2000)

Effects Animation Lead

Stuart Little (1999)

Director Of Research And Development

Godzilla (1998)

Technical Supervisor

Independence Day (1996)

Work History
  • SVP, Chief Creative Officer

    Industrial Light & Magic

    May 2018 - Present
    San Francisco

    As Chief Creative Officer for ILM, Rob serves in the role with a particular focus on the creative and innovative global vision for the storied Visual Effects company. He helped form ILM's new TV division, helped create ILM's LED technology StageCraft first used on Jon Favreau's The Mandalorian, and continued ILM's global expansion in service to storytellers.

  • Chief Technology Officer & VFX Supervisor

    Lucasfilm

    August 2014 - Present
    San Francisco Bay Area

    Bredow served as Visual Effects Supervisor and Co-Producer on Solo: A Star Wars Story. In his role as Lucasfilm Chief Technology Officer, Bredow oversaw all technology development for Lucasfilm and ILM. Helped launch ILMxLAB in 2015 and co-wrote and directed Trials on Tatooine, a story-based virtual reality experiment created in collaboration with Lucasfilm’s Story Group, ILMxLAB and Skywalker Sound.

  • CTO & Visual Effects Supervisor

    Sony Pictures Imageworks

    July 2001 - August 2014
    Culver City, CA

    As CTO, Rob has led efforts to streamline the production pipeline for both CG Animation and Live-Action Visual Effects, and more recently Color Timing, Post-Production and Post Sound. While the studio as a whole has long been good at creating the impossible, Rob has worked with engineers to make the “easy” things much easier, resulting an better experiences for the artists every day.

    Rob also led the effort to significantly expand the computing and disk infrastructure while reducing costs to the productions while continuing the expansion to international offices. Rob created the technology sharing agreement with The Foundry which allowed Imagework’s lighting software Katana and story software Flix to be sold commercially. He also created Imageworks open-source initiative to share innovative technology with the industry as a whole.

    Rob served as Visual Effects Supervisor on Cloudy with a Chance of Meatballs and the Academy Award Nominated Surf’s Up where he delivered hours of groundbreaking shots for both films. Significant innovations included a real-time live-action camera for the animated films and new rendering techniques that both improved the look of the films and artist efficiency. Additionally, Rob held supervisory positions on many other films including Polar Express, Anger Management, and Stuart Little 2.

  • Visual Effects Supervisor

    Megiddo Productions Inc

    2000 - 2001

    Megiddo: Production-Side VFX Supervisor

  • Sr. Technical Director

    Sony Pictures Imageworks

    1998 - 2000

    Castaway
    Stuart Little

  • CG Supervisor & Director of Research & Development

    VisionArt

    1991 - 1998
    Santa Monica, CA

    Godzilla
    Independence Day
    Men in Black