Kenton Rannie

Kenton Rannie

VFX Supervisor / Freelance Compositor

VFX Supervisor / Freelance Compositor

Langley, BC, Canada

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Visual Effects Supervisor

The Underground Railroad (2021)

Visual Effects Supervisor

Resident Alien (2021)

Visual Effects Supervisor

The Right Stuff (2020)

Visual Effects Supervisor

Amazing Stories (2020)

Visual Effects Supervisor

Another Life (2019)

Visual Effects Supervisor

Sacred Lies (2018)

Visual Effects Supervisor

Salvation (2017)

Visual Effects Supervisor

Beyond (2017)

Compositing Supervisor

Father Figures (2017)

Compositing Supervisor

Keeping Up with the Joneses (2016)

Compositing Supervisor

Keanu (2016)

Compositing Supervisor

Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)

Visual Effects

Hidden (2015)

Compositing Supervisor

Hot Tub Time Machine 2 (2015)

Compositing Supervisor

Night at the Museum: Secret of the Tomb (2014)

Compositing Supervisor

Big Eyes (2014)

Compositing Supervisor

The Twilight Saga: Breaking Dawn - Part 2 (2012)

Compositing Supervisor

Midnight's Children (2012)

Compositing Supervisor

The Marine 4: Moving Target (2015)

Compositing Supervisor

The Marine 3: Homefront (2013)

Compositing Lead

That's My Boy (2012)

Compositor

Premium Rush (2012)

Visual Effects

Red Riding Hood (2007)

2D Team

Red (2020)

2-D Artist

Limitless (2015)

2-D Comp Artist

Devil (2010)

Digital Compositor

Ice Castles (2010)

Digital Compositor

The New Daughter (2010)

Compositor

Defendor (2010)

Compositor

The Seamstress (2009)

Digital Compositor (Unknown Episodes)

The Troop (2009)

Digital Compositor

Stranger with My Face (2009)

Digital Compositor

Iron Road (2009)

Digital Compositor

Impact (2009)

Compositor

While She Was Out (2009)

Compositor

Scourge (2008)

Digital Compositor

Summerhood (2008)

Compositor

BloodRayne II: Deliverance (2008)

Digital Compositor

Totally Awesome (2008)

Digital Compositor

Anna's Storm (2007)

Digital Compositor

Painkiller Jane (2007)

Compositor

Pathfinder (2007)

Digital Compositor

Seed (2006)

Compositor

Love and Other Dilemmas (2006)

Digital Compositor

Firestorm: Last Stand at Yellowstone (2006)

Digital Compositor

The 4400 (2004)

Digital Effects

Let Go

Work History
  • Global Head of Digital (BC, LA, NY)

    Zoic Studios

    March 2022 - September 2023

    • Oversaw all levels of creative in all locations – Artists, Leads, Department, DFX, and VFX Supervisors
    • Worked closely with Recruiting and HR, and was the key voice to resource and casting creative needs and selection
    • Acted as the primary interviewer for any senior or leadership creative roles
    • Oversaw and worked closely with Head of 3D and Head of 2D to develop and institute VFX process and pipeline
    visions and goals
    • Maintained an open and honest relationship with all Leads and Supervisors, providing support and management
    transparency wherever possible
    • Oversaw and acted a resource for all color I/O processes within the facility
    • VFX Supervised as needed
    • VFX Supervisor projects:
    o Manhunt

  • Head of Digital BC / VFX Supervisor

    Zoic Studios

    October 2018 - April 2022
    British Columbia

    • Oversaw creative roles in the BC office – Artists, Leads, Department, and DFX Supervisors
    • Worked closely with Recruiting and HR, and was the key voice to resource and casting creative needs and selection,
    with a primary focus on BC teams
    • Acted as the primary interviewer for any senior or leadership creative roles for the BC office
    • Oversaw and acted a resource for all color I/O processes within the facility
    • VFX Supervised as needed
    • VFX Supervisor projects:
    o The Underground Railroad
    o The Right Stuff
    o Epic (Pilot, unaired)
    o Amazing Stories
    o Another Life
    o Salvation
    o Sacred Lies

  • Facility 2D Supervisor

    Zoic Studios Vancouver

    May 2016 - October 2018
    British Columbia

    • Oversaw all 2D related creative roles in BC – artists, leads, supervisors
    • Developed 2D processes for compositing, targeting optimization, standardization, and efficiency
    • Regularly interviewed potential hires at the artist, lead, or supervisor levels
    • Oversaw and acted a resource for all color I/O processes within the facility
    • VFX Supervised as needed
    • VFX Supervisor projects:
    o Beyond

  • Features Compositing Supervisor

    Zoic Studios

    January 2012 - May 2016
    British Columbia

    • Acted as the Compositing Supervisor for the Features Department
    • Oversaw a team of 5 Compositing Leads and a fluctuating team of artists, based on the number of features in house,
    and the needs of each show
    • Responsible for the quality and accuracy of all shots
    • Interviewed artists and leads as needed
    • Acted as the primary resource for all color I/O processes within both Features and the facility as a whole
    • Compositing Supervisor projects:
    o Father Figures
    o Keeping up with the Joneses
    o Keanu
    o Crouching Tiger, Hidden Dragon: Sword of Destiny
    o Hidden
    o Hot Tub Time Machine 2
    o Night at the Museum: Secret of the Tomb
    o Big Eyes
    o Twilight: Breaking Dawn Pt 2
    o Midnight’s Children

  • Senior / Lead Compositor

    Zoic Studios

    April 2010 - January 2012
    British Columbia

    • Senior and Lead Compositing roles, primarily in the Features Department
    • Primary resource for all color I/O processes within both Features and the facility as a whole
    • Lead Supervisor projects:
    o Premium Rush

  • Compositor / Senior Compositor

    Artifex Studios

    December 2005 - February 2010

    Senior Compositor:
    "The Troop"
    Defendor
    New Daughter

    Compositor:
    "Impact"
    While She Was Out
    "Painkiller Jane"
    "The 4400"

Education
  • Art Institute of Vancouver - Burnaby

    2003 - 2005