recruitment DupeVFX and community farmer / gardener
Dupe VFX
February 2020 - Present
Head of Bidding, VFX Producer, Recruitment
Atomic Arts
January 2009 - February 2019
49 Goodge St, London W1T 1TE
MANAGEMENT/PRODUCTION and or SUPERVISION and MATTE PAINTING and / or ANIMATION for :
The Martian, Assasin’s Creed, Stratton, The Gambler, Into the Woods, On the Milky Road
VFX producing, team building, coordinating and VFX supervision of complex particle FX sequences involving water and smoke/dust simulations for The Gambler, Stratton and On the Milky Road and other smaller projects.
Head of Bidding: script breakdowns, budget approval, scheduling, presenting client package documents and client liasing from budgets from 100k - 3m
Recruitment, HR, New Business and Publicity
In 2016 I VFX supervised 3 companies (in LA and Italy) for the The Film Factory (in Paris) who Atomic were affiliated with for the film On the Milky Road.
New Business for Film
Framestore
June 2018 - September 2018
United Kingdom
Senior role in Bidding and New Business for multi million pound VFX budgets
Company Director, Animation Director, Lighting TD
Redwing Animation
June 2001 - September 2012
Was a company director for 8 years inc a break to go to MPC in 2002
Channel 4: created and developed a full CG character animated series Starmaths (40 episodes) for
C4Learning. I helped write, direct and animation direct over 20 episodes (2m budget).
Men From Mars: Supervised a 40 second photo real fly through out of the White House for the film First Daughter. Created matte paintings for Dr Zhivago and supervised set extensions and animation for the films Gladiatress and Tooth.
Ragdoll Productions: (creators of 'Teletubbies'). Consultancy for the development of series ideas, advising on VFX budgets, training for their in house 3D team. Worked with the writer and illustrator Joel Stewart for the current series of: The Adventures of Abel and Teal (CBeebies).
Senior Animator and 3D Set Extensions
MPC
January 2002 - January 2003
London, United Kingdom
Harry Potter and the Chamber of Secrets:
Animated shots of the flying car and the Whomping Willow
3D backgrounds for Hogwarts Castle, creating the water shader for the lake and modelled, textures
and lit the surrounding areas.
Lighting and rendering 3D for 2D and 3D environments
Animator and Senior Camera Tracker
Framestore
February 2000 - November 2000
The Bone Collector:
Animation on all the CG rats in The Bone Collector with Dominic Parker and Rachel Penfold
Eyes Wide Shut:
Complex motion tracking for the naughty bits in Stanley Kubrick's final film
The Beach:
Roto animation of Leonardo diCaprio in the underwater sequence.
Senior 3D Animator
MPC
January 1999 - August 2000
Captain Scarlet: Animation, texturing and lighting for the pilot.
Senior 3D Animator
Double Negative
February 1999 - December 1999
Head of a team of 3
Randall and Hopkirk Deceased - Particle effects and animation
Animator
Cinesite
1998 - 1999
'The Magical Legend of the Leprechauns' - Animated wings and lit/rendered bubbles including some compositing in cineon. it was magical!
Junior Animator
Double Negative
July 1997 - December 1998
Pitch Black:
Worked with the original people from MPC who formed Dneg.
Camera Layout and Matchmove: set up the initial scenes for the animators and camera tracking.
Animated the predator and spaceship for some of the big opening and closing shots.
Worked with Jim Bower, Dickie Baine, Frazer Churchill, Paul Riddel, Charlie Noble...
'Senior' Animator
Glassworks
June 1996 - June 1997
Hector put me into the FMV team for one year as 'senior' for my first paid job as an animator.
I spent 2 months developing Lara Crofts eyelashes.
Motion captured some gymnastics and converted them into usable frames.
The team produced an FMV for Tomb Raider game.