Georgina Street

Work History

• 

  CEO & Director

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  October 2020 - Present

  Los Angeles, California, United States
• 

  Founder | Street Designed Ltd

  Street Designed

  January 2013 - Present

  Vancouver, Canada | London, UK

  Street Designed is a distinctive lifestyle brand that blends elements of modern and minimalist design. Founded in Vancouver, Canada in 2013. Street Designed produces items created locally, from high quality materials.
• 

  Producer | Amblin - Carry On

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  July 2023 - July 2023
• 

  Producer | Marvel - Secret Invasion

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  November 2021 - July 2023
• 

  VFX Producer

  Marvel Studios

  November 2021 - July 2023

  
• 

  Producer | Facebook Keynote

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  September 2021 - October 2021
• 

  Producer | GM Commercial

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  September 2021 - September 2021
• 

  VFX Producer | The Midnight Sky (2020)

  Industrial Light & Magic

  December 2019 - September 2020

  London, England, United Kingdom
• 

  VFX Producer | Birds of Prey (2020)

  Method Studios

  August 2019 - December 2019

  Montreal, Quebec, Canada

  
• 

  Producer | Avengers: Endgame (2019)

  Digital Domain

  April 2018 - December 2018

  Vancouver, British Columbia, Canada
• 

  Producer | Avengers: Infinity War (2018)

  Digital Domain

  March 2016 - April 2018

• Director

  Street Productions LTD

  October 2011 - June 2016

  London/Vancouver

  Freelance, production of music videos and short films
• 

  Production Manager | Fast and Furious 8

  Digital Domain

  September 2015 - March 2016

  Vancouver, Canada Area
• 

  Production Manager | X-men: Apocalypse

  Digital Domain

  September 2015 - March 2016
• 

  Production Manager | Hunger Games, Mocking Jay (2015)

  MPC

  December 2014 - September 2015
• 

  Production Manager | 007 Spectre (2015)

  MPC

  December 2014 - September 2015
• 

  Production Manager | Fifty Shades of Grey (2015)

  MPC

  December 2014 - September 2015
• 

  VFX Production Manager

  MPC

  September 2014 - September 2015

  Vancouver, Canada Area

  Hunger Games, Mocking Jay -part 2
  007 Spectre
  The Fast and the Furious 7
• 

  Coordinator | Once Upon A Time (Season 4)

  Zoic Studios

  May 2014 - September 2015

  Vancouver, British Columbia
• 

  Senior VFX Production Coordinator

  MPC

  September 2014 - February 2015
• 

  Coordinator | The Fast and the Furious 7 (2015)

  MPC

  September 2014 - December 2014
• 

  VFX Production Coordinator

  Zoic Studios

  July 2014 - September 2014
• 

  VFX Pipeline/RND Coordinator

  Image Engine

  May 2014 - August 2014

  vancouver, british columbia

  - Working with Head of Technical Production, Head of Technology, and the R&D Lead to
  prioritize and schedule both short-term and long-term development tasks
  - Schedule and attend internal meetings, taking detailed notes and following-up on action
  items
  - attend cine-sync meetings for external vendors (shotgun, Side Fx etc.)
  - Ensure the highest productivity within RND/Pipeline
  - Track the progress and status of all tickets and maintain an up-to-date database to include the relevance and need of each ticket
  - Ensure Pipeline/RnD have the information and materials required to complete their work efficiently
  - Facilitate communication between support teams (Pipeline, R&D and IT) and Production
  - Encourage a positive and progressive atmosphere
• 

  Coordinator | Once Upon A Time - In Wonderland

  Zoic Studios

  September 2013 - April 2014
• 

  VFX Production Coordinator

  Zoic Studios

  July 2013 - April 2014

  Vancouver, British Columbia

  - Schedule meetings, taking notes and actioning items including sending requests to onset supervisors for ref photos/HDRIs etc.
  - Taking notes during the touch-base in the morning and emailing out every day
  -Making sure that materials are received and distributed accordingly including 3D files, storyboards concept art, scripts, prep memos, one liners etc.
  -Transferring files to and from LA as needed, making sure that renders are synced, and files are in both locations etc.
  -Updating shotgun as a new episode comes online with the status of each shot, i.e ready to start in tracking, correctly split shots between Zeus and Non-Zeus and all assigned hours are entered.
  -Working with the producer to manage the look development and asset creation.
  -Responsible for entering in the client notes first thing in the morning, and forwarding out to leads/supervisors and closing the old notes.
  -Flagging any potential issues and discuss them with the producer regarding goals and deliveries, client notes, assets etc.
  -Prioritizing the render farm. Specifically CG renders based on comp goals. Ensuring that all finished renders get published and comp are aware of this and that any broken frames are re-rendered. As well as sending shots to LA if they have greater capacity to render
  -Posting to client as needed in the morning and throughout the day
  -Posting the bins to editorial and that the binning log is updated
  -Updating promo with ETAs for their requested shots and posting them when approved
  -Checking in with departments and make sure they are moving forward: via email, pigeon and walk through
  -Submitting restore requests, and following up to make sure they are completed in a timely manner
  -Creating and running dailies, taking notes throughout
  -Wrapping of the Episode, including: archiving requests, updating the reference sheet, latest over-cuts are updated in the vault and old versions of renders no longer are deleted
  -Following up on artists requests for new hardware etc.
• 

  Side Street Post Production

  April 2013 - July 2013

  Vancouver, Canada Area

  
  Working on feature and TV simultaneously I was responsible for
  - Installations/Licensing of Software maintenance of licence server
  - implementation (build/install/maintenance) of render farm hardware and software
  - Running the day to day (Dailies / editing / keeping on top of notes etc.)
  -managing artists and the 2D/3D pipeline
  - Creating VFX Breakdowns and schedules
  - gathering quotes/outsourcing roto/paint
  -migration to shot runner from google docs and excel
  -communicating with the client with the latest over cuts
  
• 

  Double Negative

  April 2012 - December 2012

  London

  
  • Technical Support for production staff
  • Support across Mac, Windows and Linux platforms
  • Office Application’s Support
  • Production Application’s Support (e.g. Maya, Nuke, Photoshop etc)
  • Contributing and expanding of our in-house wiki
  • General Server Maintenance
  • Hardware upgrades
  

• Raising Awareness TV

  October 2011 - October 2012

  
  Responsible for
  - All editing of each project - i.e working from a brief outline and then discussing with each client what we're looking to achieve and creating a structure to work from.
  - assembling all raw footage, with camera shots either recorded or transferred onto video tape in preparation for inputting into the computer;
  - inputting uncut rushes and sound, and synchronising and storing them into files on the computer;
  - digitally cutting the files to put together the sequence of the film and deciding what is usable;
  - creating a 'rough cut' (or assembly edit) of the video and determining the exact cutting for the next and final stages;
  - reordering and tweaking the content to ensure the logical sequencing and smooth running of the film/video.
  - consulting with the director, producer and/or client throughout the post-production process;
  - the design of graphic elements
  
• 

  Apple Retail

  June 2010 - June 2012

  
  Expert, Apple, Covent Garden 2011
  Expert, Apple, Southampton 2010-2011
  • Responsible for the store's third party finance
  • Mentoring and training new and current employees
  • Technical problem solving
  • Responsible for Visual Merchandising
  • IS&T
  
• 

  Apple Retail

  November 2009 - June 2010

  Southampton, United Kingdom

  
  • Technical problem solving
  • Responsible for Visual Merchandising
  • Implementing new ideas