Brice Parker

Brice Parker

Production Manager / 25 yrs

San Francisco

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Production Visual Effects Producer

Dune: Part Two (2024)

Visual Effects Producer

She-Hulk: Attorney at Law (2022)

Visual Effects Producer

Dune (2021)

Visual Effects Producer

Joker (2019)

Visual Effects Producer

Avatar: Flight of Passage (2017)

VFX Producer

Alvin and The Chipmunks: The Road Chip (2015)

Visual Effects Production Manager

The Hunger Games: Mockingjay - Part 2 (2015)

Visual Effects Digital Producer

Maze Runner: The Scorch Trials (2015)

Visual Effects Production Manager

Furious 7 (2015)

Toy Story Toons: Partysaurus Rex (2012)

DVD & Promo Production

Toy Story 3 (2010)

Production Manager

George & A.J. (2009)

DVD & Promo Production

Up (2009)

Art & Technical Manager

Cars Toon: Mater's Tall Tales (2008)

DVD Production

WALL·E (2008)

Animator

Ratatouille (2007)

Visual Effects Production Manager

Venom (2005)

Visual Effects Coordinator

Catwoman (2004)

Sr. VFX Coordinator

The Matrix Revolutions (2003)

Sr. VFX Coordinator

The Matrix Reloaded (2003)

Visual Effects Coordinator

Jurassic Park III (2001)

Film Recordist

The Out-of-Towners (1999)

Editorial Coordinator

Forces of Nature (1999)

Film Recordist

Antz (1998)

Batman & Robin (1997)

Time Travel Mater

Film Recordist

The Peacemaker

Creative Project Management with 15 years of experience working in the Creative Technology, VFX, and Computer Animation fields at Pixar, Lucasfilm, and Dreamworks. Accomplished in producing short films and promotional animation for iTunes & broadcast, writing creative copy, managing digital asset inventories, supervising large-scale projects with $1M+ budgets, supporting creative and editorial teams, supervising production schedules, and delivering projects on time and on budget.
Work History
  • Digital Production Manager

    Wētā FX

    2014 - Present
  • Member, Board of Directors

    Visual Effects Society

    2012 - Present
  • Producer / Post Supervisor

    Athena Studios

    2013 - 2014

    • Produced Stop Motion Animation crew for in-house animation projects.
    • Detailed bidding process pulling reference from scripts, storyboards, and meetings.
    • Attention to daily individual artist assignments.
    • Set up shot tracking system.
    • Organized and published delivery calendars based on approved methodology breakdown.
    • Tracked and updated progress of shots in Shotgun.
    • Communicated daily with clients, editorial, and in-house management.
    • Pushed shots through pipeline from work-in-progress to final, on a weekly basis.
    • Completed work within the

  • Art / Tech Manager

    Pixar

    2011 - 2012

    • Partnered with the art director, art leads, and producers to manage individuals across the entire art department.
    • Developed paths for artists’ career development, conducted yearly performance reviews for the team. Created and implement action plans for the art department's future success, emphasizing training and development. Administered staffing decisions that help achieve both the short and long term goals of the art team.
    • Worked with production to help create and manage team schedules and insure proper workflow throughout the art department.

  • Restoration Producer / Post Supervisor

    "Black Angel"

    2011 - 2012

    Led the picture and sound restoration of Roger Christian's film "Black Angel" (originally paired with 1980 UK screenings of "The Empire Strikes Back").

  • "Pixar in Concert" Producer

    Pixar

    2010 - 2012
  • Editorial Department Manager

    Pixar

    2005 - 2011

    • Managed media department pipeline, scheduled editors and project delivery timelines, maintained weekly staffing and productivity reports, coordinated studio resources, oversaw final project delivery through post-production.
    • Managed custom animation for promotional partners and creative agencies. Clients include Walmart, Target, State Farm, GM, Comcast, Regal Cinemas, NASA.
    • Managed 47 ancillary animation projects for broadcast, Academy Awards campaigns, concerts, trade shows, museum exhibits, and corporate presentations.
    • Managed documentary conten

  • Sr. VFX Coordinator

    Warner Bros. Entertainment Group of Companies / ES

    2001 - 2004

    • Coordinated animation department scheduling, motion capture, lighting, FX, compositing for 'The Matrix Reloaded' and 'The Matrix Revolutions'.

  • VFX Coordinator

    Industrial Light & Magic

    January 1999 - September 2001

    • Coordinated editorial and animation departments on multiple features

  • Siggraph 2000 CAF Post Supervisor

    ACM SIGGRAPH

    February 2000 - July 2000

    Curated Computer Animation Festival entries for jurying, then post-supervised final programs for the Electronic Theater and Animation Festival. Supervised on-site tech rehearsals and final show presentations at Siggraph 2000 in New Orleans.

  • VFX Coordinator

    DreamWorks Animation

    1998 - 1999

    • Organized elements for scanning, digital media management, tracked shots through lighting/comp work, ran dailies reviews, tracked filmout and delivery to studio

Education
  • San Francisco State University

    ? - ?
  • San Jose State University

    ? - ?